We are preparing for the much anticipated three day fulldome production workshop with xRez. xRez are the creators of the spectacular dome show, Crossing Worlds
This workshop is a collaborative effort between xRez, IAIA, and UNM ARTSLab.
Using high resolution panoramic imagery integrated into 3D software allowed them to take advantage of it’s powerful flexibility while presenting real-world imagery. They developed a method utilizing a stitched panoramic HD capture, where they can far exceed even the highest resolution of emerging digital cinema solutions. Their first dome film format film, “Crossing Worlds” won a coveted “Domie” for Best Design in a Dome at DomeFest 09 in Albuquerque, NM and was later shown in the world’s highest resolution dome theater at Dome Day Asia. A visual tone poem designed for the emerging fulldome planetarium format, “Crossing Worlds” utilizes spherical photography from the American desert west to immerse the viewer in a transcendent spectrum of austere landscapes.
This hands-on workshop will cover basic approaches to capture and integration of real- world locations and CGI elements for fulldome production. The initial focus will be on photographic techniques, such as spherical panoramic background photography, HDRI capture, and photogrammetry for set reconstruction. Site survey techniques will be demonstrated as well as a brand new technique for 3d point cloud data capture based on Microsoft Photosynth software. Later classroom study will include formatting the content shot and integrating in Autodesk Maya for fulldome production.
We will have 2 components to the workshop, first a one-day field session to capture a nearby location (Pecos National Monument) covering spherical panoramic shooting, HDRI capture, gigapixel capture, and shooting for photogrammetry. The participants will perform most of the techniques illustrated w/ shooting rigs. The second phase will be a 2-day classroom session that will consist of software demonstrations in Photoshop, PTGui, Autopano, HDRShop, Maya, and Nuke to illustrate post-production workflow methodology. Integration of CGI elements within an image-based panoramic digital set will be the goal, and several completed works will be shown.
In preparation for this workshop to include purchasing new equipment to create four dome production kits and working on our shooting skills. Our kits include: Gigipan Epic Pro, Canon 600D, Canon EF 70-200mm F2.8 IS lens, Sunex SuperFisheye lens, and supportive gear.
We will use these new skills to teach students at the Institute of American Indian Arts digital dome production courses. More to come on this workshop.